Memorial of Saint Monica

August 27, 2020

---

Today, in God’s Lavish Mercy, on this feast of St. Monica, we pray with Psalm 145.

We can almost picture the psalm’s sentiments pouring out in Monica’s prayer. For years, she had prayed for her son Augustine’s conversion. She was canonized for the level of her persevering prayer – a prayer blessed with the amazing answer of St. Augustine’s holy life.

Every day will I bless you,
and I will praise your name forever and ever.
Great is the LORD and highly to be praised;
his greatness is unsearchable.

Like the answer to most prayers, Monica’s came after the long working of God’s mysterious ways. Her own life was shaded by suffering and loss. But, she was steadfast in her hope over the nearly two decades it took to see Light dawn in Augustine.

---

Generation after generation praises your works
and proclaims your might.
They speak of the splendor of your glorious majesty
and tell of your wondrous works.

---

As we reflect on the generations of our own families, and the decades of our own lives, there are many “Monica-Augustine” stories. Whenever we pray for life to lead us and our beloveds to God, we pray like Monica.

Today, let’s bring our own “Augustines” to God in hopeful prayer. And let’s thank God for any “Monica” who has done this loving service for us over our lives.

I think this morning of my mother’s well-worn prayer book. The little devotional volume had been fattened with a number of prayer cards stuffed in its thin pages. One day, just before my mother died, I noticed this one: Prayer for My Daughter, a Nun. I can’t say I was exactly surprised by it. I supposed Mom prayed for me. But the card blessed me in a vey tender way and made me confident that my life would continue to be blessed.

---

Discovering the card also made me aware of my responsibility to pray daily for my family, friends, and community. They are my “Augustines” in whatever challenges they may face in life – just as I hope I am somebody’s too. Because, friends, we belong to one another in the Communion of Saints, and our “family” is fed not by blood, but by the Spirit.

The generations discourse of the power of your awesome deeds
and declare your greatness.
They publish the fame of your abundant goodness
and joyfully sing of your justice.

---

Poetry: St. Augustine and Monica by Charles Tennyson Turner

Her weeping kiss – for years, her sorrow flowed
At last into his wilful blood; he owed
To her his after-life of truth and bliss:
And her own joy, what words, what thoughts could paint!
When o’er his soul, with sweet constraining force,
Came Penitence – a fusion from remorse –
And made her boy a glorious Christian saint.
Oh ye, who tend the young through doubtful years
Along the busy path from birth to death,
Parents and friends! forget not in your fears
The secret strength of prayer, the holy breath
That swathes your darlings! think how Austin’s faith
Rose like a star upon his mother’s tears!

---

Music: (something for opera fans among us) La Conversione di Sant Agostino, Oratorio by Johann Adolph Hasse

Hasse begins La Conversione di Sant’ Agostino with an orchestral introduction that establishes the work‘s tonal center in the key of B-flat major, with most arias composed within related keys. From the grandeur and dynamic intensity of the Introduction comes the first vocal entrance of the oratorio. The listener acts as a voyeur into a conversation between Simpliciano (tenor), a priest, and Monica (soprano), the mother of Saint Augustine of Hippo, in which Monica expresses her fears that her son may never change his wicked ways. This urgent desire becomes the core dramatic theme throughout the oratorio with Alipio (alto), the friend, and Navigio (bass), the brother, serving to intensify the desperate desire for conversion. The role of Saint Augustine (alto) is secondary to that of his mother, Monica. Saint Augustine only has two arias, both dealing with his desire to find release from his sinful ways. His conversion is explicitly stated in the Part Two aria in which he begs God to look upon him with compassion following the censure of his own heart.