Twenty-fourth Sunday in Ordinary Time
September 15, 2024

Today’s Readings:

https://bible.usccb.org/bible/readings/091524.cfm

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The Lord GOD opens my ear that I may hear;
and I have not rebelled,
have not turned back.
I gave my back to those who beat me,
my cheeks to those who plucked my beard;
my face I did not shield
from buffets and spitting.

The Lord GOD is my help,
therefore I am not disgraced;
I have set my face like flint,
knowing that I shall not be put to shame.
Isaiah 50:5-7

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This solemn reading from Isaiah follows appropriately on yesterday’s honoring of the Holy Cross.

Isaiah writes of the prophet who, during the Babylonia Captivity, suffers for his testimony to the Truth.

The passage foretells Jesus’s embrace of his suffering for the sake of our Redemption.

Today, in God’s Lavish Mercy:
As we pray with Isaiah and Jesus, we ask to deeply reverence God’s participation in the suffering of Creation – both in the human and the natural world.

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Poetry: The Grandeur of God – Gerard Manley Hopkins

The world is charged with the grandeur of God.
It will flame out, like shining from shook foil; It gathers to a greatness, like the ooze of oil
Crushed. Why do men then now not reck his rod?
Generations have trod, have trod, have trod;
And all is seared with trade; bleared, smeared with toil; And wears man's smudge and shares man's smell: the soil
Is bare now, nor can foot feel, being shod.
And for all this, nature is never spent;
There lives the dearest freshness deep down things; And though the last lights off the black West went Oh, morning, at the brown brink eastward, springs-
Because the Holy Ghost over the bent
World broods with warm breast and with ah! bright wings.

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Music: Pie Jesu – Gabriel Fauré

The French creator of the soul-stirring Pie Jesu, Gabriel Fauré, was one of the premier composers and directors of the 19th/20th centuries though, surprisingly, he was not a man of deep faith. Yet, he must have had a mystical soul. The Pie Jesu is the centerpiece of Fauré’s Requiem, which he completed in 1890, and which is often considered his greatest composition. It is undoubtedly imbued with the deepest sentiments of devotion.

A requiem, as such, is a distinct musical genre and a Christian liturgical art form. In essence, it is a small symphony meant to provide deep solace to mourners at the loss of a loved one, although it is rarely played at funerals. Full requiems are generally too long for that! Nonetheless, all the great composers from the 15th century onward created their own requiems.

It is believed that Fauré composed this piece in honor of his own father a few years after the elder Fauré’s death, but the composer never revealed his motive. This Requiem was, fittingly, performed at Fauré’s own funeral in 1924.

Notes on the Requiem itself
Fauré’s Requiem has seven sections, and the Pie Jesu (Merciful Jesus) is easily the most beautiful of the seven, but not by much. The Agnus Dei and In Paradisum are exquisite in their own right.

It is interesting to note that Fauré replaced the Dies Irae (Day of Wrath) of traditional requiems with the Pie Jesu, emphasizing mercy rather than judgment, and also anticipating in some way the Divine Mercy devotion of the 20th century.

In the video below, the incomparable lyric soprano, Kathleen Battle, performs her ravishing interpretation of the lovely Pie Jesu.

• from “Sacred Windows” – website of Peter Darcy
  https://sacredwindows.com/pie-jesu-from-the-mystical-heart-of-gabriel-faure/